Into Space 3

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Email required Address never made public. Name required. Post to Cancel. Chilton has admitted that he is not a science-fiction writer, astronomer, or scientist, and that his "pursuit of astronomical studies is clumsy and very amateurish".

Journey Into Space remains popular today, thanks to the discovery of misfiled recordings of the show, which enabled the BBC to begin re-broadcasting the show from the late s onwards.

Today it still enjoys a huge fanbase, with active websites and keenly received repeats on digital radio channel BBC Radio 4 Extra. Philip Hinchcliffe has acknowledged growing up listening to Journey Into Space , citing in particular its cliffhangers, as an influence on his period as producer of the science-fiction television series Doctor Who between and Van Phillips composed and conducted the music for all three series.

He composed music especially for it, and it was "bolted onto the piano" in the studio. The World in Peril featured a 'rebel song', sung by the 'conditioned' men aboard the Martian asteroids.

This song was actually a musical arrangement of The Green Hills of Earth a poem taken from Robert Heinlein 's short story of the same name , performed by the George Mitchell Choir.

A variety of sound effects were used in the episodes, and played a major role. In addition to basic sounds, such as feet walking along a corridor or tunnel, more advanced effects were created, such as the mysterious haunting 'music' which is heard over the rocket's radio in many episodes of Operation Luna.

The most distinctive effect was the dramatic rocket take-off, which was played at the beginning of each episode, and whenever necessary during the episodes.

This was actually a recording of a jet aircraft at Heathrow airport. The BBC had an echo chamber in the studio, which was greatly utilised during the episodes.

Whenever the crew were in contact by radio with Earth control, or another distant location, the echo chamber would be applied to the voice of the remote character.

Various sound effects were also created "live" in the studio. For example, in episode 8 of Journey to the Moon , the crew hear a mysterious tapping on the outside of the ship; this effect was created "by tapping the needle of the gramophone pickup head, and playing that through an echo chamber".

The operation of the Martian "Brain" when compiling an answer in response to questions was represented by the sound of a type Director - a telephone call routing device used in large city Strowger type telephone exchanges.

Chilton wrote three Journey Into Space novels, one for each of the three original series. The first novel, titled Journey Into Space , told the story of Journey to the Moon and was the first book that Chilton had written.

Tacconi spent some time with Chilton absorbing the atmosphere of the saga, and portrayed in full colour the radio actors' likenesses to match the clever dialogue.

The story was continued in in the episode adventure, Shadow over Britain. In March , Arthur Bruce Cornwell took over from Tacconi as artist, and Chilton lost his enthusiasm for the cartoon strip; thereafter it became a contractual chore for him.

Terence Patrick took over from Cornwell in April , and by the time the third adventure began The World Next Door , Chilton was no longer writing the scripts.

The annual included a short story called Jet Morgan and the Space Castaway , written by Chilton and illustrated by Cornwell. The Transcription discs were sold overseas, and their fate was unknown, so for many years it was believed that all the episodes had been lost forever.

The BBC no longer possessed a suitable turntable on which to play the discs, but Kendall eventually managed to obtain an EMT turntable.

To clean the discs, he soaked them in warm water containing Fairy Liquid , brushed them with a goats-hair brush, and dried them using kitchen towels.

Kendall then transferred the recordings to magnetic tape, removing "clicks" from the sound using a device which he designed and built, called the Mousetrap or Front End.

He removed more severe clicks after the transfer, by scraping the oxide off the magnetic tape in appropriate places. In , Kendall digitally remastered the recordings for new abridged releases on audio cassette, and in , the unabridged remastered recordings began to be released on CD and internet download.

Charles Chilton was asked to write a new one-off minute episode of Journey Into Space for this slot, and The Return from Mars was the result.

The plot was an approximate continuation from the end of The World in Peril. The episode was broadcast on 7 March In addition to the main characters , other characters in The Return from Mars included: [9].

This was a new episode based on the original series, with David Jacobs finally taking the role of Jet Morgan who has aged while the rest of his crew were in suspended animation owing to a systems malfunction.

Charles Chilton wrote the one-hour play which was set in the year It was broadcast on Radio 4 on Saturday 12 April Another one-hour play, it was set in the year Currently, only the first novel has been released as an audiobook.

The recording was much longer than the BBC version, at 2 hours 11 minutes long. So, the play was edited into four episodes 30—36 minutes each and broadcast as a mini-series.

Indeed, Space Force had originally been intended as a new Journey Into Space serial, following on from The Return from Mars , until relatively late in the day, so its four central characters are clear 'doubles' for the Journey Into Space team.

In the version that was actually recorded and transmitted, one character Chipper Barnett refers to his grandfather Lemmy.

The BBC releases of the three original series on CD and internet download are accompanied by page booklets with text written by Andrew Pixley.

These booklets provide detailed information about the series, and are available online:. From Wikipedia, the free encyclopedia. Redirected from Journey Into Space.

For the novel by Toby Litt, see Journey into Space book. Camm, Letter to the Radio Times , 4 February Bath: BBC Audiobooks.

Archived from the original PDF on 25 March London: BBC Worldwide. Inside Out: West. Series 5. Episode 1. BBC One : West.

Retrieved 19 February Jet On The Moon. Archived from the original on 22 May BBC Radio 4. Letters from Listeners.

Radio Times. BBC Publications. The Sunday Times. London: News International. Retrieved 12 May Den of Geek. Retrieved 30 April Round Midnight with Brian Matthew.

BBC Radio 2. Press Office Press release. BBC Worldwide. Retrieved 7 May Charles Chilton's hugely successful radio series comes to audio in a complete and unabridged novelisation read by William Hope.

Archived from the original on 11 January Space opera serials — Science fiction opera Planetary romance Military science fiction.

Categories : BBC Light Programmes BBC Radio dramas British science fiction radio programmes Ancient astronauts in fiction Alien invasions in fiction Cryonics in fiction Fiction about time travel Fiction set in prehistory Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Prehistoric people in popular culture Moon in fiction Mars in fiction Space opera Works about astronauts Works set in outer space radio programme debuts radio programme endings Future history.

Hidden categories: Use dmy dates from March Use British English from February All articles with incomplete citations Articles with incomplete citations from February Articles containing Dutch-language text All articles lacking reliable references Articles lacking reliable references from April BBC programme template using Wikidata.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Download as PDF Printable version.

Latina Nederlands Suomi Edit links. Andrew Faulds. Guy Kingsley Poynter. Bruce Beeby episodes 2 to 6. David Kossoff. David Williams. Nigel Graham. David Jacobs.

Alan Marriott. Chris Moran. Jot Davies. Robert Perceval. Duncan McIntyre. Errol McKinnon. Jessica Dunning. Wyndham Milligan.

But something goes wrong, and the rocket heads towards Las Vegas, out of control. The rocket hits Las Vegas, killing at least 35 people, and the Poker Flats site is shut down.

Jet is appointed the rocket's pilot, and he and Lemmy travel to Australia to meet Mitch at the secret Operation Luna base. On arrival, Mitch takes them to meet Smitty, the team's doctor, but he is found dead.

Doc Matthews replaces Smitty who died from a coronary , and Lemmy is to be the radio operator. Mitch spots a plane flying around the launch site, suspects spies are active, and advances the launch date.

Radio contact with Earth is lost. Lemmy hears odd 'music' on the radio, before contact is resumed, and a tiny meteor hits Luna.

No damage is sustained, but Lemmy hears the strange music again outside the ship and panics. Luna is turned round for the Moon landing, and Lemmy hears the 'music' again during the final approach.

The crew narrate their first moonwalk by radio to Earth on 22 October While exploring a crater, Jet unaccountably vanishes from sight.

The crew experience strange things: Jet has visions of the past and the future; Lemmy is disturbed by the 'music' again; Doc sees a strange dome over a crater, and writes an odd diary entry without realising.

Their last week on the Moon passes without incident, but as they prepare to leave for home, the ship completely loses all power. The crew are stuck on the Moon and unable to trace what has caused the power failure.

A fortnight passes, with the air temperature rising uncomfortably in the absence of air-conditioning. A UFO is seen on the televiewer on the seventh day, and strange noises are heard on the tenth.

When they are left with just enough oxygen to reach home, power is suddenly restored to the ship, and the UFO is seen to have landed outside. Mitch is inquisitive and enters the UFO, where he is temporarily possessed by an alien intelligence.

Luna takes off and orbits the Moon; on the far side, the crew encounter a fleet of UFOs, which pursues them. The UFOs accelerate Luna to an incredible speed, and the crew blacks out.

On recovering, they find themselves out in deep space, with no sign of the Earth or Moon. In the distance, a planet is approaching.

The crew land Luna on the planet and discover that it shares many of Earth's characteristics — oxygen atmosphere, drinkable water, carbon-based vegetation and ice-caps at both the poles.

After studying the stars one night, Jet deduces that they in fact are on Earth, but that they've travelled thousands of years through time.

Jet discovers a prehistoric stone knife near Luna, suggesting that they've travelled back in time; but there is some confusion over this when the crew discover the tracks of a great tank-like machine near their ship.

One morning, a UFO exactly like the one seen on the Moon lands nearby, and a voice is heard over the radio: "Hello Luna! The crew talk with 'the voice'.

They learn that the strange music they've been hearing is generated by a strange, omnipresent power that 'the voice' and his people use to drive their ships.

Eventually it lands again, in a city of domed buildings. They learn more about 'the voice' and his people — they are a peaceful, scientific race from the opposite side of the universe.

They learnt to travel through time when their solar system was threatened by its expanding sun.

The crew explore the city, and are disturbed by a close encounter with a sabre-toothed tiger. Fortunately, the creature does not attack them, but they now realise that they have travelled back through time instead of forward.

They enter a domed building, walk down a long dark tunnel, and emerge in a huge underground city. They are invited into another building to meet 'the voice', but are terrified by what they find inside Next morning, 'the voice' tells the crew about the Earth's native 'forest creatures', destructive and hostile animals, and promises to help the crew get back to their own time.

While preparing Luna for take-off, the crew are horrified to realise that the 'forest creatures' are, in fact, prehistoric humans.

Luna takes off and is accelerated by the UFOs; the crew blacks out. They start to ponder on the nature of time, and become concerned about their shortage of fuel, and whether they will remember their adventures when they reach their own time.

The crew successfully return to the Moon in , but with no memory of their adventure on prehistoric Earth. However, their rations have been replaced by water and an unknown bread-like substance; Doc's diary contains a detailed account; and there's a prehistoric stone knife on board Luna April Jet and Mitch travel from Earth to the Moon by rocket.

The Mars fleet the flagship Discovery , 8 freighters and 20 men begins its journey. During an EVA , Mitch's safety line fails, leaving him adrift.

Jet manages to rescue Mitch, using a miniature rocket unit. Frank Rogers, of 2, tells Lemmy he's not getting on at all well with Whitaker, his shipmate.

Later, Control requests information about Whitaker; and Whitaker starts behaving very strangely while Jet is questioning him. While Whitaker is in a strange deep sleep, both Frank and Lemmy have nightmares.

Radar suddenly reveals a huge meteor swarm ahead of the fleet, blocking its path. Just as Lemmy escorts Whitaker to his new ship, 7, a large meteor destroys the ship.

Control discovers very odd information about Whitaker - the only man answering to his description was apparently born in , and has been missing since The fleet changes course twice to avoid the meteor swarm, but both times it moves to block their path again.

The crew realise they have only one option: to head straight through the swarm. The fleet enters the swarm, and for nearly 7 hours all electronic equipment is badly disrupted.

Peterson reports an emergency on board 6 with Whitaker. On leaving the swarm, 6 is nowhere to be seen, and the swarm is now blocking radio contact with Control.

Two weeks later, Discovery apparently re-establishes contact with home, but as they prepare to take an important message, the crew are puzzled by the short delay between replies.

A radio message apparently from Control orders the fleet to return home.

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He used to mark up his script using different colour pencils, to help him remember what each character was supposed to sound like.

In episode 1 of The Red Planet , Jet is interviewed by a group of newspaper reporters, all of whom were played by Jacobs.

Light-hearted pranks were often played on David Jacobs just before a recording session was about to begin.

On one occasion, Andrew Faulds poured a jug of water inside his trousers, totally soaking him, and he "did the rest of the programme in a raincoat!

Don Sharp later became a noted director. The series was originally intended to have 12 episodes [1] one source claims 8 episodes [2] , and 5.

The series was extended to 18 episodes, and by the time the final episode was broadcast, 8 million people were tuning in. In addition to the main characters , other characters in Journey to the Moon included: [1].

Chilton wrote episode 8 of Journey to the Moon in response to a challenge from a TV producer, who considered the success of the series to be "a fluke".

The producer challenged Chilton to write an episode "that could not be played equally well on television", and Chilton succeeded — a large proportion of the episode takes place in total darkness.

Wells , the only work of fiction carried on board the ship. Chilton bought a copy of the book, which first sparked his interest in astronomy, and later led him to write Journey Into Space.

The table below indicates the correspondence between the episodes of Journey to the Moon and Operation Luna. The second series, The Red Planet , followed the adventures of the crew in their first attempt to reach and explore Mars.

Several new characters were introduced, the most notable of which were Frank Rogers and James Edward Whitaker, the two original crewmen of freighter 2.

Chilton took the name Whitaker from a copy of Whitaker's Almanack which was sitting on his desk.

In addition to the main characters , other characters in The Red Planet included: [3]. The most memorable catchphrase from this series was "Orders must be obeyed without question at all times", which was often repeated by many of the 'conditioned' characters, especially Whitaker.

This was the last time that a radio show achieved a higher rating than its TV opponent. His spacesuit which was used by several of the cast members for publicity photos was a prototype being developed in Britain at the time.

The British Empire Exhibition was referred to throughout the episodes. In the table of episodes below, the numbers marked with refer to the numbered freighters of the Mars fleet.

The third series was a direct continuation of the story begun in The Red Planet , and followed Jet Morgan and his crew's return to Mars in an attempt to avert the impending Martian invasion.

In addition to the main characters , other characters in The World in Peril included: [9]. Public reaction to the show was mixed.

Some comments received by the BBC described the show as "a first class affair" and "the best serial for ages".

I rate this space travel serial as the most exciting piece of radio material for years. This is obviously very much a family occasion in many homes, the entire household following the adventures of Jet Morgan and Co.

However, others commented that the plot often featured scientific inaccuracies, [1] even though Chilton had received technical advice from Flight Lieutenant Roger Burton [1] and Kenneth Gatland of the British Interplanetary Society.

Journey into Space was a glorified interstellar 'horse-opera' with no coherent plot, which relied on odd musical arrangements to bolster up the stilted conversations of characters with no substance.

There were no convincing word pictures of the new world: 'Jet' lacked tact and leader qualities and 'Lemmy' was an improbable space traveller, not to mention electronic engineer!

Chilton has admitted that he is not a science-fiction writer, astronomer, or scientist, and that his "pursuit of astronomical studies is clumsy and very amateurish".

Journey Into Space remains popular today, thanks to the discovery of misfiled recordings of the show, which enabled the BBC to begin re-broadcasting the show from the late s onwards.

Today it still enjoys a huge fanbase, with active websites and keenly received repeats on digital radio channel BBC Radio 4 Extra. Philip Hinchcliffe has acknowledged growing up listening to Journey Into Space , citing in particular its cliffhangers, as an influence on his period as producer of the science-fiction television series Doctor Who between and Van Phillips composed and conducted the music for all three series.

He composed music especially for it, and it was "bolted onto the piano" in the studio. The World in Peril featured a 'rebel song', sung by the 'conditioned' men aboard the Martian asteroids.

This song was actually a musical arrangement of The Green Hills of Earth a poem taken from Robert Heinlein 's short story of the same name , performed by the George Mitchell Choir.

A variety of sound effects were used in the episodes, and played a major role. In addition to basic sounds, such as feet walking along a corridor or tunnel, more advanced effects were created, such as the mysterious haunting 'music' which is heard over the rocket's radio in many episodes of Operation Luna.

The most distinctive effect was the dramatic rocket take-off, which was played at the beginning of each episode, and whenever necessary during the episodes.

This was actually a recording of a jet aircraft at Heathrow airport. The BBC had an echo chamber in the studio, which was greatly utilised during the episodes.

Whenever the crew were in contact by radio with Earth control, or another distant location, the echo chamber would be applied to the voice of the remote character.

Various sound effects were also created "live" in the studio. For example, in episode 8 of Journey to the Moon , the crew hear a mysterious tapping on the outside of the ship; this effect was created "by tapping the needle of the gramophone pickup head, and playing that through an echo chamber".

The operation of the Martian "Brain" when compiling an answer in response to questions was represented by the sound of a type Director - a telephone call routing device used in large city Strowger type telephone exchanges.

Chilton wrote three Journey Into Space novels, one for each of the three original series. The first novel, titled Journey Into Space , told the story of Journey to the Moon and was the first book that Chilton had written.

Tacconi spent some time with Chilton absorbing the atmosphere of the saga, and portrayed in full colour the radio actors' likenesses to match the clever dialogue.

The story was continued in in the episode adventure, Shadow over Britain. In March , Arthur Bruce Cornwell took over from Tacconi as artist, and Chilton lost his enthusiasm for the cartoon strip; thereafter it became a contractual chore for him.

Terence Patrick took over from Cornwell in April , and by the time the third adventure began The World Next Door , Chilton was no longer writing the scripts.

The annual included a short story called Jet Morgan and the Space Castaway , written by Chilton and illustrated by Cornwell. The Transcription discs were sold overseas, and their fate was unknown, so for many years it was believed that all the episodes had been lost forever.

The BBC no longer possessed a suitable turntable on which to play the discs, but Kendall eventually managed to obtain an EMT turntable.

To clean the discs, he soaked them in warm water containing Fairy Liquid , brushed them with a goats-hair brush, and dried them using kitchen towels.

Kendall then transferred the recordings to magnetic tape, removing "clicks" from the sound using a device which he designed and built, called the Mousetrap or Front End.

He removed more severe clicks after the transfer, by scraping the oxide off the magnetic tape in appropriate places. In , Kendall digitally remastered the recordings for new abridged releases on audio cassette, and in , the unabridged remastered recordings began to be released on CD and internet download.

Charles Chilton was asked to write a new one-off minute episode of Journey Into Space for this slot, and The Return from Mars was the result.

The plot was an approximate continuation from the end of The World in Peril. The episode was broadcast on 7 March In addition to the main characters , other characters in The Return from Mars included: [9].

This was a new episode based on the original series, with David Jacobs finally taking the role of Jet Morgan who has aged while the rest of his crew were in suspended animation owing to a systems malfunction.

Charles Chilton wrote the one-hour play which was set in the year It was broadcast on Radio 4 on Saturday 12 April Another one-hour play, it was set in the year Currently, only the first novel has been released as an audiobook.

The recording was much longer than the BBC version, at 2 hours 11 minutes long. So, the play was edited into four episodes 30—36 minutes each and broadcast as a mini-series.

Indeed, Space Force had originally been intended as a new Journey Into Space serial, following on from The Return from Mars , until relatively late in the day, so its four central characters are clear 'doubles' for the Journey Into Space team.

In the version that was actually recorded and transmitted, one character Chipper Barnett refers to his grandfather Lemmy. The BBC releases of the three original series on CD and internet download are accompanied by page booklets with text written by Andrew Pixley.

These booklets provide detailed information about the series, and are available online:. From Wikipedia, the free encyclopedia. Redirected from Journey Into Space.

For the novel by Toby Litt, see Journey into Space book. Camm, Letter to the Radio Times , 4 February Bath: BBC Audiobooks.

Archived from the original PDF on 25 March London: BBC Worldwide. Inside Out: West. Series 5. Episode 1. BBC One : West.

Retrieved 19 February Jet On The Moon. Archived from the original on 22 May BBC Radio 4. Letters from Listeners. Radio Times. BBC Publications. The Sunday Times.

London: News International. Retrieved 12 May Den of Geek. Retrieved 30 April Round Midnight with Brian Matthew. BBC Radio 2.

Press Office Press release. BBC Worldwide. Retrieved 7 May Charles Chilton's hugely successful radio series comes to audio in a complete and unabridged novelisation read by William Hope.

Archived from the original on 11 January Space opera serials — Science fiction opera Planetary romance Military science fiction.

Categories : BBC Light Programmes BBC Radio dramas British science fiction radio programmes Ancient astronauts in fiction Alien invasions in fiction Cryonics in fiction Fiction about time travel Fiction set in prehistory Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Fiction set in Prehistoric people in popular culture Moon in fiction Mars in fiction Space opera Works about astronauts Works set in outer space radio programme debuts radio programme endings Future history.

Hidden categories: Use dmy dates from March Use British English from February All articles with incomplete citations Articles with incomplete citations from February Articles containing Dutch-language text All articles lacking reliable references Articles lacking reliable references from April BBC programme template using Wikidata.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Download as PDF Printable version.

Latina Nederlands Suomi Edit links. Andrew Faulds. Guy Kingsley Poynter. Bruce Beeby episodes 2 to 6. David Kossoff. David Williams. Nigel Graham.

David Jacobs. Alan Marriott. Chris Moran. Jot Davies. Robert Perceval. Duncan McIntyre. Errol McKinnon. Jessica Dunning. Wyndham Milligan.

But something goes wrong, and the rocket heads towards Las Vegas, out of control. The rocket hits Las Vegas, killing at least 35 people, and the Poker Flats site is shut down.

Jet is appointed the rocket's pilot, and he and Lemmy travel to Australia to meet Mitch at the secret Operation Luna base.

On arrival, Mitch takes them to meet Smitty, the team's doctor, but he is found dead. Doc Matthews replaces Smitty who died from a coronary , and Lemmy is to be the radio operator.

Mitch spots a plane flying around the launch site, suspects spies are active, and advances the launch date. Radio contact with Earth is lost.

Lemmy hears odd 'music' on the radio, before contact is resumed, and a tiny meteor hits Luna. No damage is sustained, but Lemmy hears the strange music again outside the ship and panics.

Luna is turned round for the Moon landing, and Lemmy hears the 'music' again during the final approach. The crew narrate their first moonwalk by radio to Earth on 22 October While exploring a crater, Jet unaccountably vanishes from sight.

The crew experience strange things: Jet has visions of the past and the future; Lemmy is disturbed by the 'music' again; Doc sees a strange dome over a crater, and writes an odd diary entry without realising.

Their last week on the Moon passes without incident, but as they prepare to leave for home, the ship completely loses all power. The crew are stuck on the Moon and unable to trace what has caused the power failure.

A fortnight passes, with the air temperature rising uncomfortably in the absence of air-conditioning. A UFO is seen on the televiewer on the seventh day, and strange noises are heard on the tenth.

When they are left with just enough oxygen to reach home, power is suddenly restored to the ship, and the UFO is seen to have landed outside.

Mitch is inquisitive and enters the UFO, where he is temporarily possessed by an alien intelligence. Luna takes off and orbits the Moon; on the far side, the crew encounter a fleet of UFOs, which pursues them.

The UFOs accelerate Luna to an incredible speed, and the crew blacks out. On recovering, they find themselves out in deep space, with no sign of the Earth or Moon.

In the distance, a planet is approaching. The crew land Luna on the planet and discover that it shares many of Earth's characteristics — oxygen atmosphere, drinkable water, carbon-based vegetation and ice-caps at both the poles.

After studying the stars one night, Jet deduces that they in fact are on Earth, but that they've travelled thousands of years through time.

Jet discovers a prehistoric stone knife near Luna, suggesting that they've travelled back in time; but there is some confusion over this when the crew discover the tracks of a great tank-like machine near their ship.

One morning, a UFO exactly like the one seen on the Moon lands nearby, and a voice is heard over the radio: "Hello Luna! The crew talk with 'the voice'.

They learn that the strange music they've been hearing is generated by a strange, omnipresent power that 'the voice' and his people use to drive their ships.

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